

Artists should always use the best materials available and their budget will allow. Not only does it make a significant difference in the final aesthetic outcome and archival longevity, but the actual process becomes a pleasure. Painting is difficult enough as to not detract oneself with poor materials and tools. Patrons and collectors expect to purchase a work that will last.
Brushes:
A variety of brush sizes and shapes - from flats to rounds, from hog hair to synthetics.
Surface:
Claessens Belgian Linen - Double primed 13DP (Double Primed) - Stretched or glued on panels
Medium:
Sparingly - Natural Pigments Rublev "Impasto Medium" (for thicker work), Natural Pigments Rublev "Oleogel" (for glazing), Old Master's Maroger, or Gamblin Neo Megilp
Thinner:
Gamblin Gamsol odorless spirits
Varnish:
Gamblin "Gamvar"
Safety:
I recommend using latex gloves (or similar) and a good ventilation system when handling thinner and toxic pigments.
Paints:
These are the colors used most often. Not all of these colors are put out every time a painting is visited. Most are used very sparingly as accent colors or for glazing. The
bullets represent the most common full palette used on most paintings. Often only 5 (+/-) colors are used on a painting to maintain harmony, but the following colors are available to tweak hue and temperature.
Here are a few places to get quality art materials:
www.naturalpigments.com
www.nycentralart.com
www.italianartstore.com
www.signaturecanvas.com
www.newtraditionsartpanels.com
www.canvaspanels.com
www.oldmastersmaroger.com